{"id":20,"date":"2018-04-16T16:27:24","date_gmt":"2018-04-16T14:27:24","guid":{"rendered":"http:\/\/1700classics.es\/?post_type=product&#038;p=20"},"modified":"2025-07-21T12:43:52","modified_gmt":"2025-07-21T10:43:52","slug":"amoroso-senor","status":"publish","type":"product","link":"https:\/\/1700classics.es\/es\/catalogo\/amoroso-senor\/","title":{"rendered":"JOS\u00c9 DE TORRES: Amoroso Se\u00f1or"},"content":{"rendered":"<p><strong class=\"gtfy-1 gtfy-2\">ARTISTS: <\/strong>Aurora Pe\u00f1a, soprano | Concerto 1700 | Daniel Pinte\u00f1o, violin &amp; director<\/p>\n<p><strong>REVIEWS:<\/strong><\/p>\n<p><em>&#8220;The performance does her full justice: Pe\u00f1a&#8217;s powerful voice sounds here more delicate and sweet than ever, and the instrumental accompaniment is at all times exemplary.&#8221;<\/em> <strong>\u2013 Scherzo Magazine.<\/strong><\/p>\n<p><em>&#8220;Thanks to Concerto 1700, skilfully led by violinist Daniel Pinte\u00f1o (as can be appreciated in the solo cadenzas) and the young soprano Aurora Pe\u00f1a [&#8230;], four touching sacred cantatas in Spanish language are recovered&#8221; <\/em><strong>\u2013 Rivista musica.<\/strong><\/p>\n<p><em><span style=\"font-weight: 400;\">&#8220;Valiant vindication of the figure of the Spanish baroque composer Jos\u00e9 de Torres (ca. 1670-1738) is undertaken in this exquisitely crafted disc by soprano Aurora Pe\u00f1a and the ensemble Concerto 1700 under the direction of violinist Daniel Pinte\u00f1o.&#8221;<\/span> <\/em><strong>\u2013 Opera World.<\/strong><\/p>\n<p><em><span style=\"font-weight: 400;\">&#8220;Music of the highest quality, fortunately rescued from the archives with an interpretation that does it full justice and edited with care in a CD that is beautiful to the last detail. An example to follow in historical recovery.&#8221;<\/span><\/em> <strong>\u2013 Ritmo Magazine.<\/strong><\/p>\n<p><strong>ALBUM INFORMATION:<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Despite being practically unknown nowadays, Jos\u00e9 de Torres was very prestigious among his contemporaries, which meant that his work circulated widely throughout Hispanic territories. It is thus not by chance that the four cantatas selected for this CD are found nowadays in the cathedrals of Mexico and Guatemala.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The late cantatas by Jos\u00e9 deTorres show the assimilation of the latest musical tendencies, alwaysin a personal and very original manner. While in his first cantatas, written during the 1710s, Torres mixed recitatives and arias with other genres from the late 17th-century Hispanic musical practice, such as coplas, seguidillas, graves, minuets, estribillos or fugues, in his late cantatas he chooses to follow the standardized pattern of a succession of recitatives and arias. In addition to this, the length and complexity of the arias become considerably greater compared to his first ventures into the genre.<\/span><\/p>\n<p><strong>TRACKS:<\/strong><\/p>\n<p>Reloj que se\u00f1ala. Cantada al Sant\u00edsimo con Violines y Oboe<br \/>\n01. Aria: Reloj que se\u00f1ala [05:41]<br \/>\n02. Recitado: Ay, que cada minuto [01:19]<br \/>\n03. Aria: A\u00fan en m\u00fasica sonora [11:26]<\/p>\n<p>Sosiega tu quebranto. Cantada al Sant\u00edsimo con Violines<br \/>\n04. Aria [Despacio]: Sosiega tu quebranto [05:17]<br \/>\n05. Recitado: Ya el enemigo infiel de los mortales [00:32]<br \/>\n06. Aria [Vivo]: De airados viento la uni\u00f3n, combatir\u00e1n el poder [06:43]<\/p>\n<p>Amoroso Se\u00f1or. Cantada al Sant\u00edsimo con Violines y Oboe<br \/>\n07. Recitado: Amoroso Se\u00f1or, omnipotente [00:51]<br \/>\n08. Aria [Andante]: Quien todo es amores [06:00]<br \/>\n09. Recitado: Goza, goza dichosa [00:44]<br \/>\n10. Aria [Vivo]: Suave acento [06:04]<\/p>\n<p>Muri\u00f3 por el pecado. Cantada al Sant\u00edsimo<br \/>\n11. Recitado: Muri\u00f3 por el pecado [00:50]<br \/>\n12. Aria [Despacio]: El arroyo est\u00e1 helado [06:17]<br \/>\n13. Recitado: Ven\u00e9rente, Se\u00f1or [00:36]<br \/>\n14. Aria [Vivo] : No tema el d\u00eda [05:34]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARTISTS: Aurora Pe\u00f1a, soprano | Concerto 1700 | Daniel Pinte\u00f1o, violin &amp; director REVIEWS: &#8220;The performance does her full justice: Pe\u00f1a&#8217;s powerful voice sounds here more delicate and sweet than ever, and the instrumental accompaniment is at all times exemplary.&#8221; \u2013 Scherzo Magazine. &#8220;Thanks to Concerto 1700, skilfully led by violinist Daniel Pinte\u00f1o (as can [&hellip;]<\/p>\n","protected":false},"featured_media":21,"template":"","meta":[],"product_brand":[],"product_cat":[15],"product_tag":[],"class_list":{"0":"post-20","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-cd","8":"first","9":"instock","10":"sale","11":"taxable","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/1700classics.es\/es\/wp-json\/wp\/v2\/product\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/1700classics.es\/es\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/1700classics.es\/es\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/1700classics.es\/es\/wp-json\/wp\/v2\/media\/21"}],"wp:attachment":[{"href":"https:\/\/1700classics.es\/es\/wp-json\/wp\/v2\/media?parent=20"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/1700classics.es\/es\/wp-json\/wp\/v2\/product_brand?post=20"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/1700classics.es\/es\/wp-json\/wp\/v2\/product_cat?post=20"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/1700classics.es\/es\/wp-json\/wp\/v2\/product_tag?post=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}